poetry foundation

These sketches were done a year after I first visited this place in 2015. (Please refer to a previous post below for that first visit.) https://anonymousarchitecture.wordpress.com/2015/06/14/the-poetry-foundation-by-john-ronan-architects/

It’s been almost four years since that first visit and three since I made these interior sketches. In retrospect, I still think this is one of the greatest buildings I have encountered in recent years.

Casa Vives, Ponce, Puerto Rico

A few years ago my wife Claudia Rosa-López and I led a group of students from Polytechnic University in documenting this house. With their set of drawings they earned a Third Place award at Peterson Prize, sponsored by the Historic American Building Survey of National Park Service. Today, the students’ drawings can be accessed at the Library of Congress site through this link: https://www.loc.gov/item/pr1528/

Built about 1860 and designed by French immigrant architect Juan Bertoli Calderoni, Casa Vives in Ponce, Puerto Rico is an outstanding example of a 19th-century Puerto Rican urban residence with commercial spaces on the ground floor and residential spaces above.

A few hours at the Kimbell Museum of Art

Designed in 1967 by architect Louis I. Kahn and finished in 1972 in collaboration with landscape architects Harriet Pattison and George Patton; and structural engineer August Komendant. 

The museum can be accessed through either the lawn and the beautiful mass of yaupon hollies trees out in the entrance courtyard or the rear parking lot (to the East) one story below the main floor. 

Either way you enter, the spatial sequence of the building is magnificently clearly laid out. 

The museum is comprised of 16 parallel halls covered by 20 feet wide by 100 feet long post-tensioned reinforced concrete shells (or vaults). Each thin vault is supported by four reinforced concrete columns which can be visible throughout the building. 

Entrance courtyard with yaupon hollies and opened porches that overlook the water pools. 

Main vestibule looking towards the northern courtyard and main stairs connecting to the Eastern vestibule. 

The interior curving shells have light slots that allows for natural light to enter the galleries. Stainless steel reflectors bounce the natural light difuminating it throughout the curving vaults illuminating the gallery interiors with a soft well-distributed natural light. 

The Poetry Foundation by John Ronan Architects; courtyard by Reed-Hilderbrand Landscape Architects

Designed by John Ronan AIA, the Poetry Foundation is located in a corner lot in West Superior and North Dearborn streets in Near North Side, Chicago. At first glance, the building seems like a solid volume, with its main façades aligned with the street frontage.

However, the building’s skin — primarily built in perforated metal — encloses an interior garden, designed by Doug Reed, that allows the main spaces to overlook the vegetated space through a fully glazed curtain wall that sets back from the street line. Therefore, the garden serves as a transitional space that guards the interior spaces from the street providing a spatial sequence like not to many contemporary buildings.

Despite being surrounded by the metal veil, the garden is visible from the sidewalk inviting visitors to enter freely from the site’s corner. Although trees populate almost entirely the open space, they are carefully placed to provide a path leading to the main entrance of the Foundation.

Although I visited the building on a Sunday, I experienced the spatial sequence of the garden, which gives the building a fascinating atmosphere. In retrospect, the courtyard of this compact urban building (completely aware of the difference in scale and culture) reminds of the Orange tree courtyard of the Great Mosque of Córdoba which offers itself as an oasis for wanderers, artists, and poets to shelter from the harshness of the surrounding context.

The following drawings are my attempt to illustrate and make sense of the spatial sequence of the Poetry Foundation’s garden.

Diseñada por John Ronan AIA, la sede del Poetry Foundation se encuentra en un lote de esquina en las calles West Superior y North Dearborn en Near North Side, Chicago. A primera vista, el edificio parece un volumen sólido, con sus fachadas principales alineadas con la línea de fachada hacia la calle.

Sin embargo, la piel del edificio — principalmente construida en metal perforado — encierra un jardín interior que permite que los espacios principales miren al espacio vegetado a través d una piel acristalada que recede de la línea de fachada. Por lo tanto, el jardín sirve de espacio de transición que protege los espacios interiores de la calle.

A pesar de estar rodeado por el velo metálico, el jardín es visible desde la acera invitando a los visitantes a entrar libremente desde la esquina del edificio. Aunque los árboles pueblan casi en su totalidad el espacio abierto, se colocan cuidadosamente proporcionando un camino que conduce a la entrada principal del edificio.

Aunque visité el edificio en domingo (que estaba cerrado al público), pude experimentar la secuencia espacial del jardín, que otorga al edificio de un ambiente fascinante. 

En retrospectiva, el patio de este compacto edificio urbano (completamente consciente de la diferencia de escala y cultural) recuerda al Patio de los Naranjos de la Mezquita de Córdoba, que se ofrece a visitantes, artistas y poetas, como un oasis para descansar de la dureza del contexto urbano.

Los dibujos arriba son mi intento de ilustrar y captar el sentido de la secuencia espacial del jardín de la Fundación.

Thanks to Virginia Durán (www.duranvirginia.wordpress.com) for sharing her Architectural Guide of Chicago. (https://duranvirginia.wordpress.com/2012/10/18/architecture-planning-a-trip-to-chicago/)

officer’s club

Obra del arquitecto Jesús Eduardo Amaral el club de oficiales es uno de nuestros mejores ejemplos de arquitectura moderna en Puerto Rico. Base Ramey, Aguadilla.

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James L Blilie Photos from 1955-58, Stationed at Eglin AFB, Florida
posted from: http://www.berettaconsulting.com

sketching por la isla, 2do recorrido / UPR río piedras

Estos son algunos bocetos que realizamos el pasado sábado en la UPR de río piedras.

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plano parcial del campus y una vista de las escaleras principales de la biblioteca lázaro

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varios intentos solapados para representar el atrio a doble altura del área de lectura en la lázaro. arquitecto, henry klumb

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sección representativa de uno de los volúmenes de salones de clase de los edificios de sociales. arquitecto, henry klumb

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varios bocetos de las relaciones espaciales en el nivel terrero del edificio de estudios generales. arquitectos, toro+ferrer

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edificio de estudios generales. arquitectos, toro+ferrer